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Happy New Year from Topspin

By iancr

For anyone we missed, here is our Topspin electronic holiday card, which went out via email yesterday. Happy New Year, everyone.

Happy New Year From Topspin

Happy New Year from all of us at Topspin!

Unlike many, we think 2009 is going to be a great year for music, the artists who make it, and the fans who love it. Looking forward to kicking ass in the new year with you and yours.

Below is a quick review of some of the top stories from the Topspin blog this year. If you’d like to keep up with us in 2009, please visit our Web site and subscribe to receive email updates in the upper right of the page. And if you have a moment, please vote for Topspin as the “Best New Startup of 2008″ in this year’s Crunchies (voting ends Jan 5th, vote early and often!).

Thanks again for a great year.

See you at CES and MIDEM,
ian c rogers
Topspin

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Topspin Nominated for a Crunchie!

By iancr

CRUNCHIE!

Happy holidays!

Last night, as I was staring at Twitterrific on my desktop, I saw @TechCrunch open the voting for The Crunchies, a set of awards for startup and innovators hosted by TechCrunch, GigaOM, VentureBeat, and Silicon Alley Insider. I headed over to cast my votes and found Topspin nominated in the “Best New Startup of 2008″ category! Thanks to everyone for nominating us. Much appreciated.

If you don’t mind, head on over to The Crunchies voting page now and cast a vote for Topspin. The rules say you can vote once every 24 hours so vote early and often, as they say.

Thanks again,
ian c rogers
Topspin

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Marko from Echo Lays Out The Starter Kit

By iancr

Here’s a great post from Echo’s Mark Montgomery following the GRAMMY MusicTech Summit we both attended in Seattle a few weeks ago. Marko does a great job laying out the basic toolset and approach for getting rolling. A must-read checklist for any new band.

Of course Topspin hopes to improve on many of these tools and will be making them available to more and more artists in the coming months, but there is absolutely no harm in doing everything on the checklist if you have the time. Trying many different things and seeing what works for your music and your audience is key.

I’d also recommend picking up Seth Godin’s Tribes, which definitely relates to you and the audience you are trying to grow (or as Seth would say, lead).

Thanks Brian Frank for sending me the link. Sorry Marko for seeing it so late.

ian c rogers
Topspin

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Dear Drones, Let Us Help You

By iancr

The Drones
[photo by rserrano on Flickr]

If you’re one of the ten people who read my blog you already know The Drones are one of my favorite bands in recent years. I originally discovered them through a review in my favorite music magazine, Mojo, of their 2005 release “Wait Long By The River and The Bodies of Your Enemies Will Float By”. I think I read someone claim they were a cross between Neil Young and Laughing Hyenas and that’s a description that actually does the incredible songwriting and the fury with which its delivered justice.

The Drones just released a new album in Australia and if you happen to be in Australia, you can buy it from iTunes here. If you’re not in Australia, well, you’re out of luck. In fact, you can’t even get the amazing aforementioned 2005 album digitally in the US, or the great album in-between, Gala Mill. You can buy the CD, if you’re into such things and aren’t in a rush (and I’d actually recommend it because the lyric sheet is worth the price of the disc). The album will come out in the US in 2009, and by then we US Drones fans will probably have already downloaded it from a friend. I don’t know any of the details of The Drones’ record deals, who manages them, or what their strategy is, but from the consumer/fan point of view this seems like a missed opportunity at best and poor execution at worst.

It doesn’t have to be this way. They (or their label, or labels) could have released worldwide on the same day and date both digitally and physically using Topspin. They could have delivered higher quality audio, the lyric sheet, photos, and videos all in one package from their Web site. They could have given an option for digital to be downloaded now and CDs and vinyl to be sent later. They could have repackaged the previous, impossible-to-find-digitally albums similarly and properly served a fans’ Drones fix. And best of all, they’d end up with the email address of every purchaser instead of sending those fans off to iTunes and others. When you send your fans away to iTunes to purchase, iTunes mails them every Tuesday and you don’t even know who they are! Doh!

I’m flying home from Boston right now, my two year-old is asleep on the seat next to me, and I’m listening to this new Drones record for the tenth time in a week. It’s incredible, the best thing ever done by one of my favorite bands, period. Unfortunately I can’t even give my friends a link to buy it for themselves. Drones, management, label, whoever…LET US HELP. Please? It’d be an honor.

Other bands, labels, and managers, please don’t make the same mistake. I understand how territory rights work, but they really don’t serve the fans very well in the age of the tubes of the Interwebs. IMHO, even if you have different owners in different territories, you should always make the music easily available for sale from the artist’s Web site worldwide. Split the money on the backend, don’t deter the fans from buying the product. Hit us up if you want some help.

ian c rogers
Topspin

UPDATE: Alec from The Drones’ US Label wrote a comment correcting me: All of the Drones’ albums *except* the new one are available in the US from iTunes. Click HERE to buy “Wait Long By The River…” now, for starters. It’s incredible. I didn’t realize this because a) I usually do my download purchasing through Amazon and the records aren’t available there, and b) all the links on the Drones’ site take you to AU and UK download stores. Thanks to Alec for the comment (click through to see my response), now lets see what we can do about getting the new album up and running worldwide ASAP and getting all these albums for sale directly from Drones and ATP sites! ;-)

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Old Friends, New Opportunities

By iancr

Soul Patch, LIVE IN BOULDER 2008!

More than seven years ago, Topspin’s founders Shamal Ranasinghe and Peter Gotcher were introduced to each other by Ryan McIntyre. So to find Topspin working closely with Ryan’s partnership Foundry Group in 2008 feels pretty damn natural. Fateful, even.

We don’t talk publicly about our financing efforts (so save your inquiries, please), but Ryan did such a great job talking about why they’re happy to be in business with us we’d be remiss not to post a link here. Thanks, Ryan, the feeling is 100% mutual. Ditto to Tim at Redpoint. We couldn’t be more excited.

Ryan and fellow Foundry partner and Topspin friend Jason Mendelson play in a band called Soul Patch. On June 21st Soul Patch played their first show in four years in Boulder, Colorado. I told Jason if Topspin and Foundry found themselves partners before the gig, I’d be there. As anyone following my Twitter stream knows, I made the show and was glad I did. They killed. iPhone photo of Jason stepping out from behind the kit for a run at the (moar) cowbell and vocals (second from left) and Ryan shredding the SG, above.

ian c rogers
Topspin

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Categories: Misc 3 Comments